i Henri Bergson, Time and Free Will
ii Henri Bergson, Matter and Memory
iii Rosalind Krauss, “Richard Serra”
iv Rosalind Krauss at the hearing over Tilted Arc in New York in 1985. Perhaps the artist is misinterpreting Krauss; perhaps the artist doubts “vision’s intentionality”; perhaps the artist ought to take a walk.
v The mother would like to dispute this last point.
vi Henri Bergson, Time and Free Will
vii The child would say he prefers peas to carrots and apples to raspberries if he were asked; the mother would find his mouth more willing.
viii Henri Matisse, 1908
ix Maurice Merleau-Ponty, Phenomenology and Perception
x Maurice Merleau-Ponty, Phenomenology and Perception
xi An example of Merleau-Ponty’s, after Sartre, who was writing on Matisse.
xii After Merleau-Ponty
xiii Ibid.
xiv Henri Bergson, Creative Evolution
xv We all have choices—or don’t.