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FOUR PAINTINGS BY AGNES MARTIN

ELIZABETH ROBINSON & SUSANNE DYCKMAN

EIGHT FISH UNDER WATER

 

A very tricky enemy. Pride is

a foreground-background illusion.

We swim in it, but its waves

flatten perspective.

 

To make the shape of fish

I must know fish. To know water

as home, I make that shape as well.

Hint of wave, imagined against a line,

fin, a bell, focused eye.

 

I’d say the school of fish, oh, they were not

fish, they were blank eyes, floating on a sea

of morse code, and pride is not what

they see, but the arrogance of seeing anything at all.

 

I must know, not as the eye or as pride know, some buoyant current.

The fish and the oceans are not undone.

 

___

 

WALKING

 

The pulse finds its way as canvas

absorbs ink, that a word might want

writing but cannot write itself, identity

pushed aside, motion itself enough.

 

For navigational purposes, one might say the world

is flat, square, and rides upon a mottled frame. Wayfarer,

this is contradiction. Your round cheek resting on the flat

path, your flat fingers inscribing the plump blue nodes of the way.

 

You think I speak to you. I speak

to restless space, the need to fill

and fail. A line supports a swirl,

the swirl lets out a sigh, or not.

 

At some distance, the world was serene. The tranquil

dissonance that ripens my not being there.

 

___

 

BLESSINGS

 

The voices explain that I should cut back until there

isn’t anything there anymore. Explanation, so different

from instruction. The more marks or stitches. The more.

The more the plain integrates itself, the less it is a pattern. The less.

 

             Marks of contentment are everywhere

             or so you tell. I listen with my eyes

             following a path you claim will give

             no direction. Though orbiting, am I lost?

  

There was a defect in the voice, and I called that grace. Where

voice stops explaining pattern, it begins to have a body.

Cutting back on the absence. The edge of the plain curls

around it. A body. A solace. Surface abbreviating itself with body.

 

             Your north star must be here. Among

             imperfect fields of spheres—an opening at the edge.

 

___

 

RED BIRD

 

Red is passion or wild anger or something

like the happiness of one color. Allow the body

to be lifted at a near perfect angle, let it rise in the glow.

A surface tremor proposes birdsong.

 

Anything’s a mirror. Flight is. Or falling.

A bird hovers in the rosy atmosphere. Its rhythm

indivisible from the image of itself. We remove

its excess, utmost brightness, so it can rise.

 

To move back and forth with attention, to sway,

is being unable to fly, yet needing to create flight.

There is worry here about the sky’s brightness—

an arm sweeps the landscape before coming to rest.

 

Anything’s a reflection. A tremor.

Our happiness permits it to part from itself into trueness.

 

 

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