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Portrait of Leah

Debora Kuan

I was inspired by Leah’s ear infection
because why wouldn’t I be?

She texted me in the middle of the day
to tell me she was lying on her side

at the free medical center
with stool softener in her ear.

Of course it was my fault
for having invited her to the Russian

bathhouse in the first place
where bacteria make mincemeat

of our mealy substrates
and we sit there welcoming them in

like they’re Mormon missionaries.
In other aspects of our lives,

we were learning how to see ourselves
as ants, the way God saw us

from wherever He stood.
Sometimes we were alone,

moving our day’s crumb from one station
to another. Other times we were

with other ants, nestled in a heap,
or else, going round after round

.

of argument, unable to forgive
one another for the state in which

we had inherited the hill.
I had learned from her

the fine art of lying on the floor,
which was enabling me to redefine

my relationship to the universe,
to focus instead on my

insignificance and to relinquish
all my vanities. If an ant passed

itself in a window, would it stare?
Would it be at all interested in itself ?

Perhaps it would look at
the crumb on its back and think,

“Not heavy not heavy not
heavy heavy heavy.”

In this way, it was not unlike
a beatboxing man I had witnessed

strutting down the street
mumbling to himself:

“studio studio audio studio
audio audio audio.”

I decided I was going to
find Leah just such a man one day—

an ant in the shape of a man
to stand in as her “audiostudio,”

to be her other good ear.

Contact the editors at fence.fencebooks@gmail.com