FENCE

menu
  • Donate
  • submit
  • subscribe
  • publications
    • magazine
    • books
    • steaming
    • fence digital
    • constant critic
    • fence sounds
    • elecment
  • People
  • about
    • about
    • Fence Editorial Guidelines and Code of Conduct
    • The Fence Calendar
    • Fence Social
    • History
  • Subscribe
  • Membership
  • Magazine
  • Books
  • Steaming
  • Elecment
  • Constant Critic
  • Fence Sounds podcast
  • Submit
  • About
  • People
  • History

Three Poems

Laurin Jefferson

Coming and I Did Not Run Away

STILL not finished review
but productive day and feeling
GÜT
like a fine mama
SHÜT
putting down some
RÜTS
like the lost queen
TOOT

TOOT
TÜT TÜT TÜT
Brand spankin hanky pankin
new periodical
in my uterus
yest I cried
thought I was going
NÜTSO
Not So       Ah so? yes it was just
a periodical
making me illogical
not wrong though
I was not wrong

I saw the “usual turn of phrase”
coming and I did not run away
I lay around

This Is A Fucking Poem

don’t expect too much.

Well I expect you to go into the
fucking human tunnel
I’m going.

pink grimy glossed
entabulature, welted
and tattooed. Enfolded in
ropy ceiling-hangings
but it isn’t a room,

and bumblingly sliding
out, little legs of

a little girl, bum on the wall/opening
pink legs sticking out like a
hermit crab’s, she’s coming!

shudder out the little-girl
legs with a little
girl head mostly eyes, no ears,
bug brain, aimless

Send her to school

It’s cold, and where should she
go, she will eat her
legs with her mandibles

her eyes will retract inside.

Stroke her riding hood
Settle down, little

nobody will hurtcha

by breaking off your little legs,
six little legs,
if you come.

Among the Orders

“Who if I cried,” says the homeless man about to fuck the homeless woman under
the expressway river overpass
“Would hear me among the animals bipedal

in Oxford, Ohio?”

Not I, says the author.
What I assume you shall assume.

“We are not fucking for us then, we’re fucking for you.”

You’re fucking so I can work out what happens in the poem when you fuck.

“Postmodern we could
wander off—”

Then who will fuck you.

The difference between “That feels so good”
and “You’re being so good.”

Homeless, you can’t be good

there’s no slot for you to fit it

to fulfill our hopes for you
if we had any.

Shut up disappear, that would be good.

“Good” if you don’t sleep in the doorway.

His cock is beautiful though
his body gray dried skin and dirt
his cock is clean, and his stomach and chest
are saggy and bones, but the cock is vibrant pact
of blood.

He saw her masturbate, he waded to her
she regarded him, eyes whiteglow
against dirt and in the streaking
light

Galumph palindrome

She put her hand on his    tightened and pulled
him toward her on the ground

her head barely out of the water
rising between
the rooms I was  washing.

Contact the editors at fence.fencebooks@gmail.com