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Victory

Adrienne Rich

for Tory Dent 

•

Something spreading underground won’t speak to us
under skin won’t declare itself
not all life-forms want dialogue with the
machine-gods in their drama    hogging down
the deep bush    clear-cutting refugees
from ancient or transient villages into
our opportunistic fervor    to search
              crazily for a host a lifeboat

Suddenly instead of art we’re eyeing
organisms traced and stained on cathedral transparencies
cruel blues   embroidered purples   succinct yellows
a beautiful tumor

•

I guess you’re not alone    I fear you’re alone
There’s, of course, poetry:
awful bridge rising over naked air:
I first took it as just a continuation of the road:
“a masterpiece of engineering
praised, etc.” then on the radio:
“incline too steep for ease of, etc.”
Drove it nonetheless because I had to
this being how-   So this is how
I find you: alive and more

•

As if (how many conditionals must we suffer?)
I’m driving to your side
-an intimate collusion-
packed in the trunk my bag of foils for fencing with pain
glasses of varying spectrum for sun or fog or sun-struck
                                    rain or bitterest night my sack of
                                                              hidden
poetries, old glue shredding from their spines,

my time-exposure of the Leonids
                                      over Joshua Tree

As if we’re going to win this O because

•

If you have a sister I am not she
nor your mother nor you my daughter
nor are we lovers or any kind of couple
      except in the intensive care
                        of poetry and
death’s master plan    architecture-in-progress
draft elevations of a black-and-white mosaic dome
the master left on your doorstep
with a white card in black calligraphy:
        Make what you will of this
      As if leaving purple roses

•

If (how many conditionals must we suffer?)
I tell you a letter from the master
is lying on my own doorstep
glued there with leaves and rain
and I haven’t bent to it yet
                        if I tell you I surmise
      he writes differently to me:

        Do as you will, you have had your life
                   many have not
signing it in his olden script:
               Meister aus Deutschland

•

In coldest Europe    end of that war
frozen domes    iron railings    frozen stoves lit
                        in the streets
memory-banks of cold

the Nike of Samothrace
on a staircase    wings in blazing
backdraught    said to me
: : to everyone she met
        Displaced, amputated    never discount me

Victory
        indented in disaster striding
                at the head of stairs

 

Originally published in the Spring/Summer 2001 issue of Fence.

Contacts: Emily Wallis Hughes and Jason Zuzga at fence.fencebooks@gmail.com